One of the 'pleasures' of being a more senior student is watching a newer student experience a new technique for the first time. You were in their place a couple years ago and know that a particular joint lock is going to be surprisingly and quickly painful. All you can really do to help them is to suggest the following: 'Be ready to tap.'
I still recall the first times that I felt my elbow lock out on Arm Grab-Ude Tori, the intense pain of Handshake/Sakajo and the result of fighting an arm bar instead of tapping. On all these occasions, I yelled loud enough to startle the other guys in the dojo and to learn a lesson about staying focused and being smart about fighting submissions.
During last Thursday's class, I had a chance look on as Sensei was giving an initial demonstation of an Ashi Gatame (foot lock) to white belts Mikey Boy and Special Ed. Sensei was talking them through the set-up and positioning but hadn't yet applied any pressure on the lock. Special Ed was the uke and Mikey Boy stood by taking in the instruction. Typically there's a look of concerned expectation on any belt level when attempting something unknown for the first time. Most of us make some effort to mask this 'Are you serious?-level' of concern but one of the things that makes Special Ed truly special is that he doesn't yet have this filter. We all feel this sense of dread about how our tendons, ligaments and bones are going to react to an unnatural torque applied by a sixth degree black belt. As for Special Ed, he appeared to be suffering wildly from just the anticipation. As Sensei spoke about the mechanics of the technique, Mikey Boy calmly looked on with an occasional nod of understanding. Meanwhile, Special Ed was sweating profusely, his breathing was quick like a birth contraction was imminent, his eyes were wide as though he saw a guillotine primed to slide toward his neck and all the muscles in his body appeared tensed to the point of ripping free of the bone. When Sensei finally applied the foot lock, Special Ed tapped furiously and with the speed of an expert bongo player.
The bottomline is that Special Ed has been coming back for more despite these displays. I have to give him all the credit and I have to think there's not much difference between what he's experiencing and what I did accept for the fact that I kept those anxieties buried inside and Special Ed is an open book of expression. All and all, he's fun to have around because of this unique feature.
Saturday's class was 50% black belts and they went to one side of the dojo to practice a variety of insane throws. I was paired with fellow blue belt Joelbow who was just getting over the flu. We took it relatively easy by working on Hiza Hara (a.ka., knee on stomach) and Kamishiho (a.k.a., north/south) positions. It's not typical to spend this much time on these techniques in a single class but it actually felt good to really work lots of repetitions. We eventually did Kamshiho transitions so many times that we began fiddling with escape ideas.
We ended class with Randori and I had a chance to go with both Sempai Matt and Sempai Ryan. Going with these black belts meant that I was playing defense much of the time. Sempai Matt has recently dropped thirty pounds in preparation for a fight. The good news was that he's now moveable and I was able to surprise him with an Uke Waza takedown. The bad news is that he's now wickedly agile and fast while remaining as strong as ever. His knee on stomach wasn't quite as brutal with the weight loss but he was zipping around and largely uncontrollable. I fended him off for a few moments before he grabbed one of my legs.
I attempted a Tomoe Nage versus Sempai Ryan but didn't quite pull it off. First, I didn't slide myself under enough and, second, he's a bit like a cat. I again spent lots of time escaping from mount and knee on stomach positions. I was even fending him off when I was in his guard. I get the sense that Sempai Ryan goes into a roll with the idea of trying out a new submission versus simply getting a win. He focuses on learning and getting better versus just putting me down for the count.
Lastly, the animated graphic above is from Saturday's UFC event. I included it because it shows the Mount/Sankaku Jime version that Big Dave and I spent time working on last Tuesday. It's always cool to see these techniques put to use in the octagon. In this case, Damian Maia picks up a submission-of-the-night bonus with a pretty triangle.
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